This Cleveland label was owned by Jimmy Testa. Tema has close connections to Audio Recording and the Pama/Clevetown label - so there is some correlations between the numbering, but too many duplicate numbers suggest independence.
| No # | Tulu Babies | Hurtin' Kind / Mine Forever | May 1965 | |
| 125 | Tulu Babies | Debbie / Although I Was to Blame (promo and stock, see below) | ||
| 125 | the Baskerville Hounds | Debbie / Although I Was to Blame | ||
| 127 | the Scruffy Group | Little Girl / Do (promo and stock) | Aug 1965 | |
| 128 | the Baskerville Hounds | Space Rock Pt. 1 / Pt. 2 (promo and stock) | ||
| 130 | Big Jim T. | Give Me The Real Frontier Pt. 1 / Give Me The Real Frontier Pt. 2 | ||
| 131 | the Baskerville Hounds | Christmas Is Here / Make Me Your Man | Dec 1965 | |
| 132 | the Baskerville Hounds | All You Had To Do Was Ask / Who Does She Love (promo and stock) | ||
| 134 | the Canterburys | I'm Sorry / If You Ever Leave Me | ||
| 135 | the Baskerville Hounds | Here I Come Miami / Make Me Your Man | ||
| 136/7 | the City Squires | Jenny-Jenny / Russian Ho Ho (promo only) | Label number in dead wax, not on label. 136 is crossed out and replaced by 137 | |
| 137 | the Statesmen | Stop and Get a Ticket / Stick With Me Baby | April 1966 | |
| 141 | Ray Evans | I Miss You So / Harlam Man | ||
| 144 | the City Squires | Is It Time / Lonely Boy | 1967 | |
| 150 | the Quantrill Raiders | I'm Going / Sad Eyed Lady | ||
| 171/2 | the Statesmen | Lollipop / Tijuana Blues (PS) | Aug 1966 | |
| No # | Pye Jones and His 28 Day Ragtime Band | I Go Crazy / Five Foot Two | ||
| No # | the Baskerville Hounds | Hold Me / Here I Come Miami | late 1968 | |
| 001 | the Bittersweets | Hurtin Kind / Summertime | 1967 | |
| 77 | Bobby Sull | Have To Be My Love / One More Thing | 1972/3 | |
| 100 | Charlie Love | Kentucky Sunshine / All Gods Creation | June 1973 | |
| No # | Bob Manza | Ballad of the "Nifty Fifties" / blank B side | 1980 | NR Master 11773 has been mistaken for a 1973 date, but record is from 1980 |
Missing sequence numbers (126, 129, 133, etc) appear to have never been used.
First pressings of #125 credit the Tulu Babies, second pressings credit the Baskerville Hounds. Promo copies exist of #125 that have the title mispelled 'Debie'. Two pressings of #128, first pressings do not say "Distributed by Dot Records".